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Dance Articles: Tips for Beginners by Karin Norgard

Listen to the Music

Every social dance in the world was inspired by music that made people want to move, and most cite music as one of the aspects of dance they find so exciting. The most enjoyable dancers know the music so intimately that they are able to express it with their bodies. Even at the beginning level, it is crucial to become familiar with the rhythm. The rhythm is the common language that allows you and your partner to communicate and dance together.

The best way to feel the music when you dance is to listen to that type of music as often as you can. Get a danceable CD from your instructor, the bookstore, or online, and listen to it in your car, at home, and while you work out. A great way to get the music into your body is to practice the basic steps of the dance to music at home. Walk around the room to the beat without any patterns or moves. If you practice this often enough, you will be better able to feel the music when you dance and will catch on to more complex moves, syncopations, and concepts faster.

Don’t Look Down

It is natural to want to look at your feet when you are learning a new dance. However, this is one of the biggest stumbling blocks to learning and developing muscle memory. Dancing is not about seeing, but about feeling and enjoying. It is important to be able to feel the movements in your body instead of relying on visual cues alone. In fact, advanced dancers in any social dance are able to lead and/or follow a great number of moves and patterns with their eyes closed.

So where do you place your focus, if not on your feet? First, focus on the dynamics of the steps: feel the shifting of weight that takes place, the changes of direction, and the patterns that make up the dance. Second, pay attention to your relationship with your partner in the basic movements of the dance and how the man and the woman complement each other with their steps. Third, listen to the music and feel how it expresses itself in your body. And finally, it’s your dance! Let your mind wander where it will during the dance. Notice everything about how you feel, how your partner feels, how the music feels. Everyone finds something different in the dance; the most important thing is to experience it fully in whatever form it may take.

Dance with Different People

If you are learning to dance with a spouse or friend, it is tempting to dance with just that person. There is a degree of safety in dancing with someone you know and feel comfortable with. However, it is best to dance with many different people, especially when you are just starting to learn the dance. Everyone leads and follows differently, and dancing with other people will show you different ways of communicating with a partner and interpreting the music. Oftentimes people get used to certain partners and begin to develop “signals” that tell the other person when to lead or follow a certain move. Dancing with different people will force you to truly feel the lead or follow and engage in a conversation.

Beginners are often concerned that they will end up dancing with someone who is either very unsure of their steps or the music, or someone who is much more advanced than they are. However, both of these situations are an opportunity for learning that you will not find if you dance with only one person. Dancing with someone that you may consider “boring” to dance with is a great opportunity to practice your technique, focus on the music, and learn how to be a sensitive leader or follower. Dancing with someone who is very advanced, on the other hand, offers a great opportunity for you to keep the rhythm regardless of the moves you are doing, focus on the technique and connection that will allow you to lead and/or follow well, and do moves that you might not be able to do with your regular partner. Focus on each dance as a conversation with your partner and the music, and make each dance an opportunity for learning.

Relax and Enjoy!

I once read that there are two qualities that distinguish a truly enjoyable dancer from the rest of the pack: musicality and connection. It is encouraging to know that regardless of the number of moves you have in your repertoire, you can have an enjoyable dance with anyone if you are attentive and responsive to your partner and the music. And of course you will be enjoyable to your partner if you are in the moment and absorbed in that particular dance with that particular person to that particular music. So relax, and enjoy!

Motion Study: The Dancer’s Tune-Up and the KEY to “Whole Body Dancing”

• Social and competitive dancers across the nation are experiencing a rapid elevation in skill level by adding this one study to their regularly scheduled dance classes!
• Elements of movement and timing are broken down piece by piece, practiced individually and then incorporated into a jazz-like routine.
• Motion Study classes are designed to improve all social and competitive dances, including Ballroom, Swing, Latin, Night Club Two Step and Hustle.
• Motion Study classes are one of the most efficient and effective ways to improve balance, control, turning, and timing… and to put a feeling of “magic” into your dancing.
• The Motion Study class, more than anything else, will help your dancing, balance, musical interpretation and control.
• The purpose of the class is to work on isolating areas and elements that enhance your individual dancing. It frees the dancer to discover their creativity without the pressure of worrying about a partner.
• Once you begin to discipline and realize your own dance potential, it is easier to build a successful dance relationship with a partner.
• For advanced dancers and beginners alike, it is a foundation for all syncopations, for styling, and body control in any type of dance.
• Teaches you to dance with your whole body, not just your feet.
• Teaches you to connect your dancing with the music—like the professionals!
• Converts the technique you learn in class into a habit so that you can take it out on the dance floor.
• Is also great exercise for strengthening your waist, torso, hips, and thighs!

Motion Study is great for dancers of all levels as it:

• Eliminates that beginner look, imparts style, and elevates the overall dancing level of experienced dancers who desire to be more dynamic and graceful on the dance floor.
• Saves you a lot of agonizing time and money later on when you want to unlearn bad habits.
• Makes you a more dynamic dancer in all of your dances.
• Makes the difference between amateur dancing and champion dancing!

Source: Kate Ford, 1997 U.S. Open Swing Dance Championships Showcase Division winner, and Golden State Dance Teachers Association Master Instructor, has been dancing and teaching for over 25 years.

Who developed Motion Study?

• Motion Study was originally developed for professional dancers by internationally renowned Skippy Blair, “the Teachers’ Teacher.”
www.swingworld.com

Clips

Debra Lynn – Motion Study 2-Hour Workshop Review 1

Debra Lynn – Motion Study 2-Hour Workshop Review 2

Debra Lynn – Motion Study 2-Hour Workshop Review 3

Where can I learn?

Classes starting in Dublin (City Centre) & Wexford in January
Contact: alan@danceclub.ie for more information

What is Niteclub Foxtrot (GSDTA Curriculum)?

Niteclub Foxtrot (often referred to as Ballad) is a slow, romantic, sensual dance, where you sway to the music and glide around the dance floor. Niteclub Foxtrot is one of the few dances for those slower songs 60-80 beats per minute.

Niteclub Foxtrot is a social dance that has been danced in every era and in every country but is seldom given a name.

No matter which dance someone wants to learn, most people progress faster if they master the simple basics of Social Dance by learning Niteclub Foxtrot first.

This dance only uses 2 Basic Dance Rhythms and 3 Foot Positions. It is like learning one syllable words before introducing two & three syllable words.

It’s a great dance for developing good timing; the student starts to hear the phrasing in the music and starts to experience a FEELING for musical interpretation.

Nightclub Foxtrot, which is essentially a compact hybrid of American style Foxtrot and basic nightclub slow dancing.

The “nightclub” version of the ballroom dance, the Niteclub Foxtrot is danced to slow music in a 4/4 time meter.

Source: www.swingworld.com

Wedding Dance & Slow Night Club Dancing

This dance is very easy and a perfect dance for weddings or slow night club dancing. Learning this dance will not only add a little flair to your “regular” slow dance, it will also teach the basics of lead and follow in a closed dance position. Knowing this dance will also help when learning the more advanced ballroom dances.

Because the mood of these songs is usually dreamy and romantic, slow dances are very popular nightclub and wedding dance selections.

Yes you really can dance to those ultra slow ballads and you can still do spins and dips! Sadly many people assume that they can only do the “Bear Hug Sway” to really slow music.

Music

Examples include:
“Unforgettable” by Natalie Cole
“Strangers in the Night” by Frank Sinatra
“At Last” by Etta James
“A Kiss to Build a Dream on” by Louis Armstrong
“Kissing a Fool” by Michael Buble.

Where can I learn?

Classes starting in Dublin (City Centre) & Wexford in January
Contact: alan@danceclub.ie for more information

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